WESTERN
ASSASINATION OF JESSE JAMES R
Robert Ford, who’s idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.
Cisco Kid
The Mexican hero (Jimmy Smits) and his saddle sidekick (Cheech Marin) foil crooks, officials and agents of Napoleon.
THE ASSASSINATION OF JESSE JAMES… R
Robert Ford, who’s idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.
WESTERNS COLLECTION
BEYOND THE LAW
BOOT HILL
DEATH RIDES A HORSE
ONE-EYED JACKS
BIG TREES
GOD’S GUN
BLOOD AND HONOR
VENGEANCE VALLEY
HIGH NOON
A marshall, personally compelled to face a returning deadly enemy, finds that his own town refuses to help him.
STAGECOACH
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process.
THE GOOD THE BAD AND THE UGLY R
A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.
A FISTFUL OF DOLLARS – R
A Fistful of Dollars (Italian: Per un pugno di dollari, lit. “For a Fistful of Dollars”), titled on-screen as Fistful of Dollars, is a 1964 Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto, and Joseph Egger.[5]
A Fistful of Dollars was filmed on a low budget (reported to be $200,000), and Eastwood was paid $15,000 for his role.[6] Released in Italy in 1964 and then in the United States in 1967, it initiated the popularity of the spaghetti western film genre. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, also starring Eastwood. Collectively, the films are known as the “Dollars Trilogy”, or “The Man With No Name Trilogy”. The film has been identified as an unofficial remake of the Akira Kurosawa film Yojimbo (1961), which resulted in a successful lawsuit by Toho. In the United States, the United Artists publicity campaign referred to Eastwood’s character in all three films as the “Man with No Name”. WIKIPEDIA